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这里已经不是上城区的中心区域可它是那样的宽广几乎看不到高层建筑只有远处堡垒的环形天顶如悬夜天天阳知道这是堡垒上那些家族才有资格入驻的区域每...不过她生病的时候别有一番韵味嗯但这事不能告诉她否则她会以为我是好色之徒我是吗当然不’基本上这些日记都是苏烈和自己母亲交往过程中发生的一些琐碎事包括苏烈父亲... 详情
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麦田里的守望兔
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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