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项安接过了项羽倒的酒神色复杂他......之前是楚国的卒子却没有真正获得楚国卒子的身份就相当于被抛弃了一样被叔父丢在了会稽城外我记得......叔父当时因为...赫尔墨斯俯下身子看着欧申苍白虚弱眼睛紧闭的样子轻轻抚摸他的头发他所能制造的价值他所能证实的事实比你要想的多的多所以我可不可以拜托你......和我联手呢赫尔墨斯对着... 详情
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老伯的野草莓
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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