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那由树根盘结组合出来的王座上端坐着一道身影之前渡鸦小队在高墙里发现了三名黑王子天阳独自记忆清晰然而现在坐在王座上的这一个他却从末见过这个黑王子外表看上去跟他们初次遇到的那...现在我已经可以听到外面人们被屠杀的惨叫但我和另外一部分同志决定前往最底层的基地我们哪怕变成怪物也要守护紫辰和罗盘不能让这两件东西流出外界就算外面已经是世界末日... 详情
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肥肠米线
完美的音乐 不愧是迪斯尼的精良制作 当天灯漫天升起有种想哭的感觉 跟海贼王里漫天白雪变成樱花色的感觉一样 人人都有自己的浪漫与完美 而我的未来又是怎样的 会有这样的结局么········
鸡蛋饼号
Moving history. 舞台剧的表现形式和拍摄的刻意反光是组有趣的对比不慌不忙的叙事节奏活死人之地有时候觉得有必要这么慢吗推荐想了解安哲风格的影迷观看不推荐此外所有人观看尤其是只看现代片的
黄的
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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